Parking Information
Main entrance of campus to the Anderson Center: Go to traffic circle; bear right (follow sign pointing WEST). Turn at 1st left into parking lot "C" (next to Science IV), main entrance to the Anderson Center is at the end of lot "C".
Parking garage: Go around traffic circle to left (follow sign pointing EAST). Turn at 1st right into parking garage. For more information about parking visit the parking services website.
Event Calendar
ARTIST BIO:
Founded in 2013, Hub New Music is one of today’s leading contemporary music ensembles. Hub has expanded the repertoire for its distinct combination of flute, clarinet, violin, and cello with over two dozen commissions by today’s most celebrated composers. In its thoughtfully curated programs, Hub New Music performs works exclusively written for the ensemble that strike notes of contemporary relevance.
Recent and upcoming performances include concerts presented by Tanglewood, Seattle Symphony, Morgan Library, Suntory Hall (Tokyo), the Williams Center for the Arts, Cynthia Woods Mitchell Center, King’s Place (London), Thailand International Composer’s Festival (Bangkok), Soka Performing Arts Center, Arizona Friends of Chamber Music, Bowdoin International Chamber Music Festival, and the Celebrity Series of Boston.
Current touring projects include Daniel Wohl’s UFO-inspired electroacoustic piece , and , a program exploring queerness, chosen family, and identity with music by Daniel Thomas Davis and choreography by Aaron Loux & Brian Lawson. In recent seasons, Hub has collaborated on commissions with Angélica Negrón, Nico Muhly, Tyshawn Sorey, Donnacha Dennehy, Christopher Cerrone, Carlos Simon, and Kati Agócs, among others. The group has also developed genre-defying collaborations with the Asia/America New Music Institute, Boston’s Urbanity Dance, Silkroad’s Kojiro Umezaki (shakuhachi), and trumpeter/spoken word artist MK Zulu.
Hub New Music’s recordings have garnered consistent acclaim. The group’s recent album with Kojiro Umezaki, , featured five works for Hub & shakuhachi which I Care if You Listen called “beautiful, haunting music that presents a clear and authentic dialog between varied cultural paradigms and traditions.” Hub’s debut album, , released on New Amsterdam Records, was called “ingenious and unequivocally gorgeous” (Boston Globe) and “intensely poignant.” (Textura) In 2022, Hub’s album with Carlos Simon, , was nominated for a GRAMMY award for Best Classical Composition.
Hub is sought after for its multifaceted educational residency programs, having been recent guests at Princeton University, University of Michigan, Cincinnati College-Conservatory of Music, and Indiana University Jacobs School of Music, among many others. In 2021, Hub was a resident ensemble for the Los Angeles Philharmonic’s Nancy and Barry Sanders Composer Fellowship program for high school aged composers. Also in 2021, Hub launched its flagship K-12 educational program, , that uses improvisation and storytelling to create original pieces with students of all musical levels.
Free Admission
Free Admission
Free admission.
An eclectic mix of solo trombone with piano works in recital format, including performances by the 亚洲情色 Low Brass Ensemble.? Expect to hear works in varying styles from Baroque to Jazz.
Free Admission.
Featuring Dan Miller, alto saxophone, with works by Percy Grainger, Malcolm Arnold, Dmitri Shostokovich, Roshanne Etezady, with premiers of Giovanni Santos, Randall Standridge, and graduate student composer Nicky Kuláy.
Ticketing information: /anderson-center/events-list.html
Featuring composers ranging from J.S. Bach to Steven Sondheim, Liam Flatley, tenor, explores what it means to be steadfast in one’s sense of devotion. Whether expressed by exalting the power of God like in Bach’s Magnificat, or explored through the struggle to be vulnerable enough to love and be loved in Sondheim's Company, devotion manifests in our lives in many ways and asks us to consider what gives our lives meaning. Additional works will also be featured by George F. Handel, Robert Schumann, Francis Poulenc, Daniel Catán, and Benjamin Britten.?? ??
Free Admission.
Hippocrates Cheng, assistant professor of music theory and composition prestent, Re/Sonic, a concert of new music for east Asian instruments. This performance features nine distinguished artists of East Asian instruments who will premiere new compositions composed by Dr. Cheng. The program includes trio music for Chinese instruments (Dizi, Erhu, Pipa); trio music for Japanese instruments (Ryūteki, Hichiriki, Shō); trio music for Korean instruments (Daegeum, Haegeum, Gayageum), and a large ensemble piece for all nine instruments.
This concert is sponsored in part by, Harpur college, School of the Arts, Department of Asian and Asian American Studies, Institute for Asia and Asian Diasporas.
FACULTY BIO:
Hippocrates Cheng 鄭靖楠 is an assistant professor of music theory and composition in the 亚洲情色 Music Department. He is a composer, theorist, ethnomusicologist and multi-instrumentalist from Hong Kong. In 2024, he completed his Doctor of Music Composition with a minor in ethnomusicology at Indiana University Jacobs School of Music. His composition teachers included professors Don Freund, Eugene O'Brien, David Dzubay and Aaron Travers.
As an award-winning composer, Cheng writes contemporary classical music, new music for Asian instruments, jazz and music for interdisciplinary productions. As a multi-instrumentalist, he performs overtone singing, piano and viola while also practicing qin, dan bau and phin pia.
He draws on music theory, composition, ethnomusicology and sound studies in his research of both traditional and contemporary East Asian music. This intersectional approach is exemplified by his research on the music of the Hong Kong composer Doming Lam, the player piano and piano rolls in early jazz history, and braille music notation. His papers were selected by conferences hosted by AMIS, IAML, ICTMD, ISJAC, APME, AMS, the CUNY Graduate Center, the University at Buffalo, the University of Southern California, the University of Music and Performing Arts Vienna, Humboldt University, University College Dublin, the University of Malaya and the Korean Performing Arts Institute of Chicago.
Cheng began his musical journey by learning to play piano, violin and clarinet in choir and ensembles. He pursued his Bachelor of Music in composition at the Hong Kong Baptist University under the guidance of Christopher Coleman and Christopher Keyes. In 2018, with the support of the Hong Kong Jockey Club Music and Dance Fund, he completed his master's degree in Music Composition at the Hong Kong Academy for Performing Arts (HKAPA) with distinction. His composition teachers included professors Clarence Mak and Florence Cheung.
Before joining 亚洲情色, he taught as an associate instructor in music theory at IU and as adjunct faculty at IU Northwest. As a guest lecturer, he gave lectures, talks, masterclasses and workshops at Butler University (USA), Ball State University (USA), University of Indianapolis (USA), University of Illinois Urbana-Champaign (USA), Shanghai Conservatory of Music (China), Peking University (China), Lingnan University (Hong Kong), Senzoku College of Music (Japan), Okinawa Prefectural University of Arts (Japan), Mahidol University (Thailand), Chiang Mai Rajabhat University (Thailand), Naresuan University (Thailand) and Suan Sunandha Rajabhat University (Thailand).
In June 2024, his chamber opera on anti-Asian hate, All of US, was premiered as the winning work commissioned by the Center for the Performing Arts in Carmel, Indiana. In the summer of 2024, he was selected for an exchange program funded by Indiana University (IU) and the Free University of Berlin (FUB). During his residency in Berlin, he conducted research and created new works.
He is currently working on a creative research project titled "East Asian Music in the Contemporary World."
Ticketing information: /anderson-center/events-list.html
Join Noah Unser, tenor, for a performance of his master’s recital. Featuring Dr. Bobby Pace on piano and Mayavati Prabhakar, soprano.
Free admission.
Free Admission.
With its largest ensemble to date, the Collegium Musicum will present music by four 18th-century English composers, including the blind organist John Stanley, much admired by Handel, and William Herschel, better known as the astronomer who discovered the planet Uranus.
Free Admission.
Ticketing information: /anderson-center/events-list.html
Free Admission.
Free Admission.
In celebration of the Drawing Connections: Frank Lloyd Wright exhibition, the Momenta Quartet presents a genre-defying program of works by 亚洲情色 composers, which were developed in a semester-long collaboration with the quartet — moving from pencil sketches to fully rendered structures. The program also features distinguished composer Shawn Jaeger’s celebration of Appalachian singing traditions, Thy Wondering Eyes.
Free Admission.
ARTIST BIO:
Momenta: the plural of momentum – four individuals in motion towards a common goal. This is the idea behind the Momenta Quartet, whose eclectic vision encompasses contemporary music of all aesthetic backgrounds alongside great music from the recent and distant past. The New York City-based quartet has premiered over 200 works, collaborated with over 250 living composers and was praised by?The New York Times?for its “diligence, curiosity and excellence.” In the words of?The New Yorker’s Alex Ross, “few American players assume Haydn’s idiom with such ease.”
?
The quartet came into being in November 2004, when composer Matthew Greenbaum invited violist Stephanie Griffin to perform Mario Davidovsky’s String Trio for events celebrating Judaism and Culture at New York’s Symphony Space and Temple University in Philadelphia. A residency through the composition department at Temple University ensued, and the rehearsals and performances were so satisfying that the players decided to form a quartet. Through this residency, Momenta gave two annual concerts highlighting the talents of Temple University student composers alongside 20th-century masterworks and works from the classical canon, repeating the programs at the Brooklyn Society for Ethical Culture. From the outset, Momenta treated all music equally, devoting as much time, care and commitment to the student works as to the imposing musical monuments.
?
Word of Momenta’s passionate advocacy for emerging composers spread quickly. Composers started inviting Momenta for similar concerts and residencies at other academic institutions. Today, Momenta’s educational-performing circuit includes 亚洲情色, Brown, Columbia, Cornell, Harvard, Hawaii Pacific, Michigan State, New York, Temple, Tufts, Washington and Yeshiva Universities; Bard, Barnard, Bates, Haverford, Hunter, Ithaca, Lehman and Williams Colleges; and Boston, Cincinnati, Eastman and Mannes conservatories. Momenta has received commission grants from the Koussevitzky, Barlow, and Jerome Foundations, and a Chamber Music America commission for Alvin Singleton, whose resulting work, “Hallelujah Anyhow” (2019), is featured on their 2022 album of his complete string quartets. Deeply committed to the musical avant-garde of the developing world, Momenta has premiered and championed the works of Tony Prabowo (Indonesia), Cergio Prudencio (Bolivia) and Hana Ajiashvili (Georgia); has collaborated with numerous gamelan ensembles; and in 2018, was brought by the U.S. Department of State and U.S. Embassy La Paz to Cochabamba, Bolivia for new music concerts and a teaching-performing residency at the Instituto Laredo.
?
Momenta has appeared at such prestigious venues as the Library of Congress, National Gallery of Art, the Smithsonian’s Freer Gallery, Rubin Museum, Miller Theatre at Columbia University, the Princeton Institute for Advanced Study, Chamber Music Cincinnati, and the Louisville and Philadelphia Chamber Music Societies. Festival credits include the renowned Cervantino Festival in Mexico; MATA; Music from Japan; Ostrava Days in the Czech Republic; Red Note New Music; the Smithsonian’s “Performing Indonesia”; the Yellow Barn Artist Residency; and since 2015, the quartet’s own annual member-curated Momenta Festival in New York City, featuring world premieres, guest artists, and samplings from Momenta's unique personal repertoire.
?
Momenta has recorded for the Albany, Bridge, Centaur, Furious Artisans, Innova, Navona, New Focus, New World and PARMA labels; and has been broadcast on WQXR, Q2 Music, Austria’s Oe1 and Vermont Public Radio. The quartet’s latest album “Alvin Singleton: Four String Quartets” was released to critical acclaim in 2022 by New World Records. Their debut album, “Similar Motion,” featuring visionary works by Debussy, Philip Glass and Arthur Kampela, is available on Albany Records. Upcoming recording adventures include a project to record all thirteen string quartets by Mexican microtonal maverick Julián Carrillo (1875-1965) for Naxos, the complete string quartets of Roberto Sierra, and an American album featuring diverse works by Elizabeth Brown, Jason Hwang, Shawn Jaeger, Yusef Lateef, and Matthew Greenbaum.
The Momenta Quartet's 2025-26 season is made possible, in part, through the support of the Amphion Foundation and the Alice M. Ditson Fund.
Free Admission.
Free Admission.
Ticketing information: /anderson-center/events-list.html
Ticketing information: /anderson-center/events-list.html
Free Admission.
Free Admission.
Transforming student stories into masterful mini-operas!
The Pocket Opera Project is telling stories with a distinct new voice! Local elementary and middle school students have been selected to have their story submissions transformed into mini-operas — in collaboration with 亚洲情色 composers.
These incredible “pocket operas” come with big theatrical moments and tell deeply human stories filled with adventure, tragedy, and magic!
K-12 students who would like a chance to see their story transformed into a “pocket opera” in 2027 are encouraged to enter the??by May 1, 2026.
Ticketing:
For more information about music department events please contact musinfo@binghamton.edu.